I am writing and publishing this week’s post from my mum’s house in Indianapolis, Indiana. I booked this trip to the US to attend the closing reception for my exhibition (Re)calling and (Re)telling, which may have to be canceled because the Midwest…
I am writing and publishing this week’s post from my mum’s house in Indianapolis, Indiana. I booked this trip to the US to attend the closing reception for my exhibition (Re)calling and (Re)telling, which may have to be canceled because the Midwest is under a psychotic winter storm warning. Apparently this coming storm is going to be so big, so scary, and so righteously bad-ass that the only thing worse would be a full-on Zombie uprising.
We are expected to be buried under snow, then 4 inches of ice, then more snow, and then possibly napalm from the way the local meteorologists describe it. We have been warned that we will likely loose electrical power for a day or two. That means no computer, no twitter, no email, NO CONTACT.
Ironically my post this week is about connecting.
In The 5 Step Art Career Make-Over I barely scratch the surface on the topic of why it’s so important for you as an artist to enlarge your social circle, but today I want to give you a concrete example. I’m going to tell you a real life story about how reaching out connecting with a complete stranger had a radical effect on my own art career.
About a million years ago I bought a book call Reframings: New American Feminist Photographies by Diane Neumaier. In the book I discovered the work of artist Carla Williams. Something about the power of her honesty and vulnerability really spoke to me. I became an instant fan. For years I admired her work. I scoured other books for her new images, I read every page of her website and lurked on her blog. (Creepy but true.)
Finally in 2007 I got brave enough to send her a little fan letter by email. I simply introduced myself and told her how much I admired her work, and how much she had inspired me as an artist. Much to my surprise she replied right away and thanked me for my kind words.
Now this is where the story gets just plain awesome.
Not too long after our e-mail exchange, Carla wrote a brief paragraph about me on her blog and linked back to my website. My website and blog traffic doubled overnight.
Then curator Lisa Henry read Carla’s blog post and clicked over to my website.
Lisa promptly e-mailed me and asked to include two of my photographs in the traveling museum exhibition Double Exposure: African-Americans Before and Behind the Camera.
Being part of the Double Exposure exhibition led to one of my works being included in a museum permanent collection plus about seven other group and solo exhibitions in less than 2 years.
That’s pretty kick-ass for one two sentence e-mail, right?
Now, do you get why I’m pestering you about reaching out and meeting new people?
So, I am challenging you to step out of your comfort zone for a moment. I am asking you to be extra brave and get over your intimidation.
How else can you possibly grow your art career if you can’t even summon up the courage to reach out and meet new people?
What opportunities could you be missing out on right NOW because you haven’t connected?
Your mission should you choose to accept it:
Make a list of 5 people you admire for whatever reason.
Contact them in the least creepy way possible and simply introduce yourself.
Not sure who to contact? Click here to download my book and use the “People I Should Know” worksheet to brainstorm ideas.
Not sure what to say? Cut and paste my dorky template:
Dear Super Cool Person,
My name is ______. I’m a __________ artist. I have admired your work for many years and I just wanted to drop you a quick note to tell you how much you have influenced and inspired my work.
Best wishes,
Insert your name here.
Cut and paste this text. Fill in the blanks with honest sincere comments, then hit the send button.
That’s it. Short sweet and to the point.
Don’t ask for anything. Don’t ask a question. Just introduce yourself and tell them why you admire what they do.
Repeat 5 times.
Done and done.
After you’ve emailed your 5 people report back here for your next mission.
p.s. I wanna know: Who’d you email and why? Was it scary? Did it nearly give you a panic attack? Did you get any replies?
Awesome.
-Kesha★
If you found this post to be either “inspiring, educational, or entertaining” I would be very grateful if you could take a moment to share it on Twitter or Facebook, or the procrastination method of your choice.
If you do this, it is quite possible that you are awesome.
Jan 26, 2011NYCElevation: 80m You are dying for a sneak peak aren’t you? Well…okay…maybe dying is a strong word. Perhaps mildly curious? Well, I have indeed been knee deep in scanning the new work here but also been thinking a lot about restructuring the business, the website, this blog and essentially over-hauling everything all around. [...]
Jan 26, 2011
NYC
Elevation: 80m
You are dying for a sneak peak aren’t you? Well…okay…maybe dying is a strong word. Perhaps mildly curious? Well, I have indeed been knee deep in scanning the new work here but also been thinking a lot about restructuring the business, the website, this blog and essentially over-hauling everything all around.
Soon this blog will get a new title and migrated to WordPress. I will be sure to let you know when that happens. In the meantime, I wanted to take a little survey from you guys, what is it that you are interested in reading from me? The creative process, the travel, the occasional way too much information confession of my inner life? I am trying to focus down a little and not get too carried away with all the random things that I could possibly be writing about.
I recently did an interview with Michael Werner for Two Way Lens. There is a sneak preview of new images from this most recent trip. Check it out here and then soon, more, on the new charliegrosso.com.
Talk to me….what would you like to know?!
Jan 26, 2011NYCElevation: 80mYou are dying for a sneak peak aren’t you? Well…okay…maybe dying is a strong word. Perhaps mildly curious? Well, I have indeed been knee deep in scanning the new work here but also been thinking a lot about restructurin…
Jan 26, 2011
NYC
Elevation: 80m
You are dying for a sneak peak aren’t you? Well…okay…maybe dying is a strong word. Perhaps mildly curious? Well, I have indeed been knee deep in scanning the new work here but also been thinking a lot about restructuring the business, the website, this blog and essentially over-hauling everything all around.
Soon this blog will get a new title and migrated to WordPress. I will be sure to let you know when that happens. In the meantime, I wanted to take a little survey from you guys, what is it that you are interested in reading from me? The creative process, the travel, the occasional way too much information confession of my inner life? I am trying to focus down a little and not get too carried away with all the random things that I could possibly be writing about.
I recently did an interview with Michael Werner for Two Way Lens. There is a sneak preview of new images from this most recent trip. Check it out here and then soon, more, on the new charliegrosso.com.
Talk to me….what would you like to know?!
I have a confession to make: When I started this blog I had no idea what I was doing. Luckily I’ve been able to assemble a great community of artists, art collectors, and creative professionals in spite of myself. This year marks my ten year annive…
I have a confession to make: When I started this blog I had no idea what I was doing. Luckily I’ve been able to assemble a great community of artists, art collectors, and creative professionals in spite of myself.
I am more grateful than you can know.
So now it’s time to return the favor. Aside from studio work, I want to focus on helping the people in my community. And my community is artists and people who love art. Since you’re reading this–you’re probably my people. So that means you.
In the past year I’ve published a few art business articles about art school loans, juried shows, and understanding difficult art. But now it’s time to take off the training wheels. There’s a lot of work to be done and by that I mean, information and resources to be shared. We are about to kick this into high gear.
From here on out the Kesha Bruce Studio blog will focus on 3 things and 3 things only:
1. Professional Development for Artists: How to get you more time, more shows, more collectors, more money, and stop beating yourself up for not being rich & famous yet.
2. Bridging the gap between Artists and Art Collectors: Helping break down the intimidation factor and get on with the business of helping Art Lovers find and buy the work they love.
3. Sharing stories and insights about my life and work so that you can get to know me better, understand my work better, and then realize that you need to buy some because you deserve to be surrounded by objects that connect you to spirit and beauty that will make your life more awesome than it already is.
How’s that for putting all my cards out on the table?
What I’m Gonna Deliver:
Information- Once a week I’m going to post an article that will help artists and other creatives improve their careers. Meaning I’m going to give out useful ideas and concrete information that you can take away and actually apply to directly to your business or life in general.
Expert Interviews- Interviews with Art collectors, gallery directors, curators, designers and other creative professionals. The goal here is to give you not only information that’s useful to artists, but information that is useful to anyone who’s simply interested in living a more creative life.
Consulting for Creatives- It pains me to see so many artists fret over how to sell their work. For years I’ve been helping artists craft their resumes, rework their artist statements, and put together exhibition proposals. Believe it or not, that type of stuff is fun for me. If you’re struggling with the marketing end of your Art business, you really should be working with me.
My art marketing Kung Fu is strong. Click here to get more info.
Doctor’s Hours- Sometimes what you need is just a second set of eyes or an outside opinion. Starting in March I will be creating a podcast series where I answer questions from artists and collectors. If you’re a creative professional and you need a word of career or marketing advice or just a quick second opinion about something, you can e-mail your question to artfix[at]
#ArtFix Chat- For all of you tweet junkies, I will be holding a few twitter chats just for you. You are following me on twitter right? Get on my invite list so you don’t miss them. They will be legendary.
What You Can Do To Help Me:
1. Sign up to my invite list and download your copies of “The 5 Step Art Career Make-Over” and “Art Buying For Art Lovers”.
2. Re-tweet my blog posts. If the information is helpful, hit the re-tweet button at the end of each post.
3. Send me your ideas and questions or leave a comment on this blog or on my Facebook page.
I am doing all of this stuff and inviting you to be a part of this adventure because one thing is certain:
Working in isolation or under a false sense of competition hasn’t helped any of us. Frankly, we are dying from it. The moment that sharing and helping each other becomes second nature, we will all be better off. All of us.
So why not start today?
-Kesha★
If you found this post to be either “inspiring, educational, or entertaining” I would be very grateful if you could take a moment to share it on Twitter or Facebook.
If you do, there is a high probability that you are awesome.
This weekend an artist friend of mine e-mailed me a question about a juried show entry fees that she was interested in:Kesha, Forgive me if you covered this on your blog already, but I would LOVE to hear your opinion on exhibition submission fees since…
This weekend an artist friend of mine e-mailed me a question about a juried show entry fees that she was interested in:
Kesha,
Forgive me if you covered this on your blog already, but I would LOVE to hear your opinion on exhibition submission fees since you are kicking butt on telling the straight story on many aspects of the art world. I understand many galleries, etc. need to be creative about covering administrative costs and building a revenue stream in this economy, but $40+ submission fees seem unreasonable and I imagine might exclude a large number of talented, but cash-poor potential applicants. Are these fees reasonable? What assurance is there that a fair review process is in place?
-A.F.
$45 entry fee x 350 artist applicants – postage for 325 rejections letters = a ton of money in the bank.
Not convinced? Let me break it down for you even further with this improvised budget:
Juror fee: $500 (And a generous one at that.)
Printing & mailing of rejection letters: $325 (Although it’s likely they’ll just e-mail you to save themselves time and money.)
Publicity expenses: $1000 (keep in mind they will be promoting themselves. Your name won’t be on the postcard.)
Shipping expenses: $0 (The artists pay their own shipping to and from the exhibition)
Food & Drinks for Opening: $1000 (Would likely be much lower since many smaller organizations arrange sponsorship by local wineries or breweries.)
That brings the total bill to around: $3000.
So ask yourself, where did the remaining $12,750 in entry fees go?
I’ll tell you: the electric bill, ie. operating expenses—which presumably the gallery would have had to pay regardless of whether or not they had produced an exhibition.
So to answer my friends questions:
Are these fees reasonable? Maybe. It does take time and a whole lot of energy to thoughtfully review 350 applications and to look at thousands of artworks. The question is how much time and how much do they really need to charge artists in order to cover their expenses and make a small profit? $45? I don’t think so.
What assurance is there that a fair review process is in place? To be brief: None. The review process for exhibitions is rarely transparent. There is no assurance that anyone even looked at your images. At some point you are putting your trust in the organization based solely on their name and reputation.
Please be clear. I’m not trying to demonize art centers or galleries that charge entry fees for juried exhibitions. These organizations have enough problems to contend with without me beating up on them. And as a gallery director I understand that putting on an exhibition is incredibly time consuming and involves plenty of expenses. That said, I want artists to be well informed and clear about their own expectations before they sign that entry fee check.
A few questions to ask before mailing that submission packet:
1. How reputable is the venue? Is it a large art center or gallery or is it some tiny community center in the middle of nowhere?
2. Who is the juror? Do you value or trust this person’s opinion? Is the juror a curator from a well-respected art museum, an anonymous panel picked by the organisation, or a group of local artist?
3. How much is it going to cost me to be in this exhibition? Remember, you will have to pay for framing, insurance, and round trip shipping, plus that hefty entry fee. Will it still be worth it if that final tally comes to around $200?
4. Do I trust this organization to handle my artwork properly? I cannot tell you how many horror stories I’ve heard of work being returned to the artist with severe damages. What is the venue’s insurance policy? How will you handle it if your artwork comes back damaged?
5. What exactly do you want to get out of this exhibition?
I saved the most important question for last. Early on in your career it’s a good idea to get into a few juried exhibitions just to get into the habit of showing and talking about your work in public, but at some point it pays to stop and ask yourself what exactly you’ll be getting out of showing your work at certain venues. Will you be introduced to a new group of possible collectors? How will you follow up and build relationships after the exhibition? Will being in this juried exhibition get you any closer to where you want to be career-wise?
An art exhibition should be mutually beneficial to the venue, the artists involved , and of course the audience. If any of these three players is slighted, then something isn’t working. All five of the above questions are designed to get you thinking not only about which exhibitions are worth getting your work into, but also what path you ultimately see your art.
Did you find the info in this post helpful? Awesome. Hit the retweet button and share it with someone else who could use it.
Image by Boaz Yiftach at FreeDigitalPhotos.net
Jan 4, 2010NYCElevation 80m At last, I have made it back to chilly NYC after a long long 8 weeks on the road for Wok the Dog. As some of you may know, I was thrown a curve ball while on the road in regards to the need for an Indian Visa and not being [...]
Jan 4, 2010
NYC
Elevation 80m
At last, I have made it back to chilly NYC after a long long 8 weeks on the road for Wok the Dog.
As some of you may know, I was thrown a curve ball while on the road in regards to the need for an Indian Visa and not being able to obtain one in Rabat, Morocco. Thus, I had to dramatically alter my travel plans.
In the 8 weeks I was on the road, I spent 3 days in Barcelona, 2 weeks in Morocco, 2 weeks in Egypt / Jordan, 2 weeks in Malaysia and the final 2 weeks in Taiwan.
This is was a tough trip. Tougher than any other previous but as always I meet some incredible travelers along the way, made a ton of new friend got a lot of great shots and am the better for it. This was also an important trip as Malaysia is the 20th country for Wok the Dog, marking the half way point on this epic project of mine.
I know you guys are all dying to know what was the final count on how many hours I spent on buses / trains / boats ….
The rules of the contest (How to be a travel ninja) states that the guess must be +3/-3 hours within the final count. Well…one of you, are off by 0.5hrs. Now what is the fun of a contest if no one wins? So Ms R.F. Congratulations!!!! You’ve won a lovely 7×7 print!!! It would be my pleasure to deliver it to you personally!
Here are on some statics related to this trip in case you are curious:
45 days (not counting the two weeks in Taiwan)
9 flights
112.5 hours spent on buses/trains/boats
5 countries
$52.86 per day of average daily cost (including food, lodging, fun, transportation, anything / everything except for the flight)
150,000 frequent flier miles redeemed
$1297.61 spent on flights
18 gigs of digital files
56 rolls of film shot (120 + 35mm)
872 total frames shot on film
209 frames made it through first edit = 23.96%
Thanks so much for keeping track and playing. I will be busy scanning films and deciding on new destination here in the following weeks. Check back on my blog to see new images from the trip.
Your humble nimble leech free DEET free travel ninja
Jan 4, 2010NYCElevation 80mAt last, I have made it back to chilly NYC after a long long 8 weeks on the road for Wok the Dog. As some of you may know, I was thrown a curve ball while on the road in regards to the need for an Indian Visa and not being ab…
Jan 4, 2010
NYC
Elevation 80m
At last, I have made it back to chilly NYC after a long long 8 weeks on the road for Wok the Dog.
As some of you may know, I was thrown a curve ball while on the road in regards to the need for an Indian Visa and not being able to obtain one in Rabat, Morocco. Thus, I had to dramatically alter my travel plans.
In the 8 weeks I was on the road, I spent 3 days in Barcelona, 2 weeks in Morocco, 2 weeks in Egypt / Jordan, 2 weeks in Malaysia and the final 2 weeks in Taiwan.
This is was a tough trip. Tougher than any other previous but as always I meet some incredible travelers along the way, made a ton of new friend got a lot of great shots and am the better for it. This was also an important trip as Malaysia is the 20th country for Wok the Dog, marking the half way point on this epic project of mine.
I know you guys are all dying to know what was the final count on how many hours I spent on buses / trains / boats ….
The rules of the contest (How to be a travel ninja) states that the guess must be +3/-3 hours within the final count. Well…one of you, are off by 0.5hrs. Now what is the fun of a contest if no one wins? So Ms R.F. Congratulations!!!! You’ve won a lovely 7×7 print!!! It would be my pleasure to deliver it to you personally!
Here are on some statics related to this trip in case you are curious:
45 days (not counting the two weeks in Taiwan)
9 flights
112.5 hours spent on buses/trains/boats
5 countries
$52.86 per day of average daily cost (including food, lodging, fun, transportation, anything / everything except for the flight)
150,000 frequent flier miles redeemed
$1297.61 spent on flights
18 gigs of digital files
56 rolls of film shot (120 + 35mm)
872 total frames shot on film
209 frames made it through first edit = 23.96%
Thanks so much for keeping track and playing. I will be busy scanning films and deciding on new destination here in the following weeks. Check back on my blog to see new images from the trip.
Your humble nimble leech free DEET free travel ninja
Mr Baang + Mr Burne



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